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You can watch Unfinished Song movie in HD without Downloading Free HEREUNFINISHED SONG is the funny and uplifting story of Arthur (Terence Stamp), a curmudgeon old soul perfectly content with sticking to his dull daily routine until his beloved wife (Vanessa Redgrave) introduces him to a spirited local singing group led by the youthful and charming Elizabeth (Gemma Arterton). This unexpected friendship and his discovery of music revitalizes Arthur's passion for new adventures and shows us all life should be celebrated at any age. (c) Weinstein PG-13


Movie Release on Theater Jun 21, 2013 Limited
Unfinished

Movie Synopsis


Unfinished Song Movie Cast

Gemma Arterton,Christopher Eccleston,Vanessa Redgrave,Terence Stamp,Anne Reid

Genres : Drama,Musical & Performing Arts,Comedy

Total Vote User Unfinished Song : Visitor
User Ranting Unfinished Song :
User Percentage For Unfinished Song : %
User Count Like for Unfinished Song : 1,344
All Critics Rating For Unfinished Song : 5.5
All Critics Count For Unfinished Song : 32
All Critics Percentage For Unfinished Song : 69 %

Unfinished Song Movie Review

Even though we know where the film's going, it still manages to give the tear-ducts a workout.
Trevor Johnston-Time Out

Patronizes older people by having them act like teenagers. Embarrassing.
Harvey S. Karten-Compuserve

This is one film that's equal parts moving and grating.
Rebecca Barry-Flicks.co.nz

The film's comedic elements are a bit clunky but Song For Marion clicks into gear when it starts pulling at the heart strings.
Matthew Toomey-ABC Radio Brisbane

A modest joy to behold, the film also clicks into the recent high-quality spate of movies aimed at and starring seniors, such as The Best Exotic Marigold Hotel, Quartet, Performance, Amour and Hitchcock. Here's to more.
Jim Schembri-3AW

Director Paul Andrew Williams has until now concentrated on low-budget pics about drugs, crime and blackly comic bloodthirsty horror, but with this superior character piece he also demonstrates an amiable knack for the old-fashioned tear-jerker too.
David 'Mad Dog' Bradley-Rip It Up

Terence Stamp is terrific as the grumpy Arthur, while Vanessa Redgrave embodies the ailing figure of Marion with a gravitas one would expect.
Ed Gibbs-The Sunday Age

The sentiments expressed are sincere and the performances have great veracity so it is a shame that the film itself lacks the juice and pace proffered by its energetic cast
Louise Keller-Urban Cinefile

The interactions between Redgrave and Stamp confirm [Williams] has serious dramatic chops. The swerve towards cuddly redemption porn suggests he's starting to panic a little.
Donald Clarke-Irish Times

A movie that celebrates wilful amateurism over anything good.
Alistair Harkness-Scotsman

Everything that follows is as predictable, dreary and proverbial as the weather in Manchester.
Philip French-Observer [UK]

Parts of the film are cheesy and the whole is undeniably manipulative, but the film is so tender and generous, and its stars so genuinely affecting, that it's easy to forgive the odd bum note.
Jason Best-Movie Talk

Plays like an update of the time-honoured Full Monty formula - public exhibitionism vanquishes English emotional reserve - for a post-Glee world.
Mike McCahill-Daily Telegraph

It's a very British, predictable film with its heart in the right place.
Graham Young-Birmingham Mail

It patronises the older generation by going, "Tee-hee, look at them trying to be young".
Grant Rollings-Sun Online

It has its saving graces, and the chief of them is the performance by Terence Stamp as Mr Grumpy.
Derek Malcolm-This is London

Writer-director Paul Andrew Williams plucks at our heartstrings with the sensitivity of Mike Tyson singing a love song.
Christopher Tookey-Daily Mail [UK]

Sentimental stuff but when an ailing Redgrave sings True Colours it really does bring a lump to your throat.
Allan Hunter-Daily Express

Grit-meister Paul Andrew Williams switches to the key of C major for a commercial crowdpleaser about a seniors' choir.
Peter Bradshaw-Guardian [UK]

Overacting while peering through goggly specs, Redgrave comes on like a drag-act Mr Magoo.
Nigel Andrews-Financial Times

Too emotionally manipulative, but not without its moments of real tenderness and warmth.
Matthew Thrift-Little White Lies

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