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You can watch Violet & Daisy movie in HD without Downloading Free HEREViolet (Alexis Bledel) and Daisy (Saoirse Ronan) are a pair of gum-chomping, gun-toting teenage assassins who casually snuff out crime figures in New York City, bothered only by the fact that a concert by their favorite pop idol Barbie Sunday has suddenly been canceled. Determined to raise cash for some Barbie Sunday dresses, the duo takes on a new hit, only to discover a kind of reckoning in the form of sad-sack shut-in (James Gandolfini) who is dying alone in his apartment of terminal cancer. He persuades the duo to kill him out of mercy, prompting an odyssey of self-examination that catapults the junior enforcers into a world beyond Barbie Sunday and bullets for pay. From Geoffrey Fletcher, the Academy Award-winning screenwriter of PRECIOUS comes a mesmerizing hybrid of New York City crime fable and existential coming-of-age drama in which teenage kicks match wits with adult-world turmoil, placing three wounded souls into a line of fire none expected - themselves.-- (C) Cinedigm


Movie Release on Theater Jun 7, 2013 Limited
Violet

Movie Synopsis


Violet & Daisy Movie Cast

Saoirse Ronan,Alexis Bledel,James Gandolfini,Marianne Jean-Baptiste,Danny Trejo,Tatiana Maslany,Jean Baptiste,Cody Horn,Morgan Demeola,Cassidy Hinkle,Emerald Angel Young

Genres : Drama,Action & Adventure,Mystery & Suspense

Total Vote User Violet & Daisy : Visitor
User Ranting Violet & Daisy : 3
User Percentage For Violet & Daisy : %
User Count Like for Violet & Daisy : 1,771
All Critics Rating For Violet & Daisy : 4.9
All Critics Count For Violet & Daisy : 45
All Critics Percentage For Violet & Daisy : 22 %

Violet & Daisy Movie Review

A thriller that might as well have been released in 1996, when everybody and their brother and their sister and their cousin twice-removed was trying to be Quentin Tarantino ...
Matt Zoller Seitz-Chicago Sun-Times

Of course, the violence is cringe-worthy and, at times, over the top. But view this as a modern comic book/fairy tale, and it's easier to accept this saga of girls with guns and the life lessons they eventually confront.
Mary Houlihan-Chicago Sun-Times

The film's subtle visual allure is all but stamped out by the impression that the director tries too hard to be an idiosyncratic auteur in the vein of Quentin Tarantino.
Stephanie Merry-Washington Post

Violet and Daisy are just violent and crazy - which is, ultimately, the real problem. And why we should care about them remains the one mystery no one here can quite unravel.
Stephen Whitty-Newark Star-Ledger

A rather dull affair.
Sara Stewart-New York Post

We don't feel the weight and menace of death, nor the volatile emotions of youth, and have nothing to respond to beyond the spectacle of girls with guns.
A.O. Scott-New York Times

Subverting audience expectations of an over the top "teenage girl killer" movie with a character study could have been great, but the character study in question feels paper thin.
Eric Goldman-IGN Movies

Neither as writer nor as director is Fletcher able to sustain his conceit.
Frank Swietek-One Guy's Opinion

While the concept has potential, it becomes an exercise in shallow gimmickry that never captures the right tone to generate either laughs or suspense.
Todd Jorgenson-Cinemalogue.com

A fluffy excuse for random violence is saved by ethereal performances by Saoirse Ronan and James Gandolfini.
Ron Wilkinson-Monsters and Critics

A movie can stick with genre basics if it has fun doing so, but Violet & Daisy lacks the freewheeling spirit of great B movies.
Robert Levin-amNewYork

Subversive, bold and fresh. A guilty pleasure in spite of its uneven tone.
Avi Offer-NYC Movie Guru

Violet & Daisy is a cool movie. It's strange and ambitious and affecting and extremely well-acted throughout a thoroughly esoteric script.
Cammila Collar-TV Guide's Movie Guide

You can almost see the moment when the super-talented Saoirse Ronan checks out in terms of character and I think James Gandolfini gave up before the end of rehearsal. I just felt bad for Alexis Bledel.
Brian Tallerico-HollywoodChicago.com

Clever for a little while, but turns irritating halfway through.
Ethan Alter-Television Without Pity

Hardly a follow-up that will have [Fletcher] garnering more awards. Not because it's bad; it's just really cartoony, as in artificial, two-dimensional and rather childish.
Christopher Campbell-Film School Rejects

It wants to be "Clueless" meets Gregg Araki, but it has far less on its mind than the former teen classic and not nearly enough provocative material to match the latter indie director's sensibilities.
Dustin Putman-DustinPutman.com

Essentially, the film is Tarantino-ultralite -- just without the crisp dialogue, graphic violence or much of a plot.
Christine N. Ziemba-Paste Magazine

The bouncy, blackly comedic cartoon that begins this movie segues into a suspense-challenged, severely sincere drama that winds up, much like Violet and Daisy frequently do, without any bullets.
Dann Gire-Daily Herald (IL)

If you want to see Saoirse bumping people off, go with the stylish "Hanna" instead.
Chris Hewitt (St. Paul)-St. Paul Pioneer Press

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